After playing Coco Chanel in Anne Fontaine’s biopic, Audrey Tautou will star in Claude Miller’s next film, “Therese B.,” an adaptation of Francois Mauriac’s novel.

The 1920-set drama follows Therese Desqueyroux, a free-spirited but unhappily married woman who struggles to free herself from social pressures and the boredom of suburban life.

TF1 Intl. has picked up international sales and will launch pre-sales at Cannes’ film market.

The $12.7 million costumer is produced by Yves Marmion’s outfit UGC-YM. Lensing will start in 2011. UGC will handle the French theatrical release.

Tautou’s previous film, “Coco Before Chanel,” was last year’s top French-language export, taking more than $36.5 million at the international B.O. outside the U.S.

TF1 Intl. has also taken foreign sales rights to Sarah Polley’s second feature, “Take This Waltz,” a dramedy starring Michelle Williams and Seth Rogen. Lensing is set to kick off in July in Toronto. Pic is co-produced by

Polley and Susan Cavan’s Accent Entertainment, in association with Telefilm Canada. Mongrel Media will handle the Canadian distribution.

Polley’s feature helming debut, “Away From Her,” earned two Oscar noms.

At Cannes, the French sales company will also hold market preems for Kristin Scott Thomas starrer “Love Crime,” a sexy thriller set in the corporate world; Wall Street-set “Trader Games,” starring French thesp Gilles Lellouche; Yann Gozlan’s “Caged”; and Jacques Malaterre’s “Ao, the Last Neanderthal.”

Source: Variety, thanks so much to melfan for he heads up!

009 x Mark Abrahams
046 x Marcel Hartmann #1
008 x Marcel Hartmann #2
001 x Marcel Hartmann #3
011 x Kevin Scanlon
012 x Vadukul

2005
002 x “Russian Dolls” After Party in Paris, June 7th 2005
015 x “Russian Dolls” Premiere in Paris, June 7th 2005
021 x The 30th Cesar Awards Ceremony, February 26th 2005
008 x “A Very Long Engagement” Press Conference in Rome, January 31th 2005
027 x “A Very Long Engagement” Premiere in Madrid, January 24th 2005
019 x Adenauer-De-Gaulle Prize, January 21th 2005
027 x “A Very Long Engagement” Premiere in Hamburg, January 20th 2005
053 x “A Very Long Engagement” Premiere in London, January 10th 2005

2004
035 x “A Very Long Engagement” Press Conference in Los Angeles, November 24th 2004
096 x “A Very Long Engagement” Premiere in Los Angeles, November 10th 2004
020 x “A Very Long Engagement” Premiere in Paris, October 19th 2004
008 x “A Very Long Engagement” Premiere in Brussels, October 16th 2004
075 x “Dirty Pretty Things” Press Conference in Tokyo, May 26 2004
008 x “Podium” Premieres in Paris, February 2nd 2004

2003
002 x Paris Vogue Party at the Plazza Athenee in Paris, October 13th 2003
001 x Chanel Prêt-à-Porter Spring-Summer Collection 2004 Fashion Show, October 10th 2003
033 x “Dirty Pretty Things” Screening in New York, July 8th 2003

I’ll do a massive update after the holidays, so take a look soon!

Hi there
I just wanted to let you know that screen beauty Audrey Tautou is currently is the running to be crowned the “Most Elegant” woman of the week at hellomagazine.com.
If you feel that she deserves this title, vote here:

http://www.hellomagazine.com/vote/mostelegantwoman/index.html

Enjoy and good luck!
Alicia
Hellomagazine.com

Hi there,

I just wanted to let you know that Audrey Tautou is currently is the running to be crowned “Best Dressed” Bafta nominee of 2010 at hellomagazine.com.

If you think her red carpet appearance last Sunday deserves the winning title, vote for her at:

http://www.hellomagazine.com/celebrities/201002232985/best-dressed/baftas-gowns/vote/1/

Enjoy and good luck!

Alicia
Hellomagazine.com

So… vote!

NB If you have some problem with forum, let me know!

She may never have played for Manchester United but she does now have something in common with Eric Cantona.

Audrey Tautou, the most successful and highest paid of a new generation of French cinema actresses, followed Le Grand Eric last week by becoming the latest of a series of high-profile transfers from the French screen to the stage.

Tautou, 33, who was projected to world stardom by her roles in Amélie (2000) and The Da Vinci Code (2006), has made her theatrical debut in Paris in Henrik Ibsen’s A Doll’s House.

Audrey comfortably outscored Eric. Cantona received, at most, polite reviews last month for his gutsy, but sometimes inaudible performances, just off the Champs-Elysées, as a dying man trapped in the ruins of a supermarket. Tautou has received rave reviews for her performance as Nora Helmer, a young wife who tries to escape from the suffocation of a conventional, 19th-century bourgeois marriage. The theatre critic of Le Parisien said that she was “irresistible”.

Both Cantona and Tautou are part of a wider emigration from French cinema to theatre, as the Paris stage tries to recover from a disappointing, crisis-deflated 2009. Another recruit has been the actress Isabelle Huppert, who is playing Blanche Dubois in Un Tramway, a loose interpretation of the Ten-nessee Williams play, A Streetcar Named Desire.

In April, the British film director Sam Mendes will make his first excursion into French theatre when he directs two Shakespeare plays in Paris, The Tempest and As You Like It.

Audrey Tautou knew that she would be given no quarter by French theatre critics if she failed to make the leap on to the stage. “Everyone is waiting for me to fall on my face, but I don’t care,” she told the newspaper Le Figaro.

The role of Nora in A Doll’s House might have been written for Tautou. In her cinema career, she has progressed from her early roles as a lovable, naive, fragile and comical young woman (such as Amélie). She made a much-praised appearance last year as a tortured and not always likeable Coco Chanel in a movie about the fashion designer’s early life. For her performance in Coco Avant Chanel (Coco before Chanel), Tautou has been nominated for a César, the French equivalent of an Oscar.

In A Doll’s House (written in 1879), her character, Nora, makes a similar progression from a childlike wife, patronised by her husband, to a tortured and would-be liberated adult woman. The production at the Théâtre de la Madeleine until 10 June, directed by Michel Fau, is played for laughs in the first half – somewhat unusually but with great success.

Source: The indipendent

Give me time to set all, sa you can see there aren’t topic or something else, I’ll work on int, in the meantime, feel free to subscribe and open new topic!

http://audreytautoufan.one-forum.net/